詳細(xì)介紹：本片是佛朗哥死后西班牙民主電影中的一部經(jīng)典紀(jì)錄片，…本片是佛朗哥死后西班牙民主電影中的一部經(jīng)典紀(jì)錄片，曾獲得1980年塞維利亞電影節(jié)金獎(jiǎng)，西班牙當(dāng)代藝術(shù)大師Luis Eduardo Aute（詩人、歌手及繪畫家）稱其是“西班牙最美麗的電影”。影片拍攝下1977年在塞維利亞舉辦的羅西歐朝圣節(jié)的空前盛況，并在其中穿插了對(duì)西班牙民族、宗教和人文歷史的回顧以及對(duì)獨(dú)裁統(tǒng)治時(shí)期的批判。塞維利亞的羅西歐朝圣節(jié)是西班牙傳統(tǒng)節(jié)日中最為盛大的一個(gè)，每年吸引近百萬來自世界各地的朝圣者前來阿爾蒙特村向圣女Rocio膜拜，這個(gè)延續(xù)了幾百年的傳統(tǒng)民間習(xí)俗在佛朗哥統(tǒng)治時(shí)期遭受了極大限制，直到他死后，安達(dá)盧西亞的人們才用一場(chǎng)歷史上最盛大的節(jié)日來慶祝民主的回歸。全片充滿著西班牙民族特有的服飾、音樂和節(jié)日景象，配樂由弗拉門戈大師Salvador Távora創(chuàng)作，印象主義的影像繼承了西班牙紀(jì)錄片的悠久傳統(tǒng)。然而1981年導(dǎo)演Fernando卻被阿爾蒙特村的一個(gè)家族告上法庭，說其在片中把自己的父輩描述成內(nèi)戰(zhàn)時(shí)期佛朗哥的忠實(shí)擁躉，為此Fernando被判入獄兩年并賠償了大量金錢，影片也從原來的80分鐘被剪成68分鐘。此后Fernando再也沒能完成新作。The cinematic victim of the return to order in the second part of the Spanish transition to democracy, Rocío, written and made in 1977 by Fernando Ruiz de Vergara and Ana Vila, won the first prize at the Seville Film Festival in 1980. In 1981 it was impounded by a judge and censored and the director was sentenced to two years in prison and ordered to pay ten million pesetas to the plaintiffs, a family from Almonte who felt that their father was being accused of the murders committed in the Spanish Civil War in the village. But all those political accidents hide the best film ever made about the Rocío, which includes some treasures of Spanish documentary cinema and a soundtrack full of Muslim hymns and songs by Salvador Távora. In the return to order we could also consider Rocío y José, the antagonist of Rocío, García-Pelayo’s most linear film. With John Ford’s tempo and oriental-style photography it portrays a story of pure love in the Rocío festival caravan, with a music all its own based on hits from the Rocío sevillanas. According to Luis Eduardo Aute, "the prettiest film in Spanish cinema".詳情